There is no letdown in talent or skill for the third season of this blue ribbon drama. One could say these 22 episodes play as a continuation of the second season; there are no major new characters or earth-shattering plots and the Emmys rewarded the series with its third straight award for Best Drama (and unlike season 4, no one argued about the laurels). The third year starts with a stand-alone episode “Isaac & Ishmael”, a special show created, shot, and broadcast 22 days after the 9/11 events. Although the final results tend to be sermonic, the fact the show was able to drop everything and commit to a new season opener is evident not only of talent, but of a disciplined work force operating at the top of their game.

President Bartlet’s (Martin Sheen) decision to run for reelection after the disclosure of suffering MS fuels the fire for the first half of the season. Depositions are filed against the staff, minor mistakes take on more significance, and the White House consul (Oliver Platt) has the run of the table warning of worst-case scenarios. The focus soon turns to the First Lady (Stockard Channing) as the potential “Lady Macbeth” of the scandal. Channing aces her role and turns her birthday celebration (“Dead Irish Writers”) into one of the season’s highlights. Assistant Donna (Janel Moloney), her boss Josh Lyman (Bradley Whitford), and Press Secretary K.D. (Alison Janney) all have charismatic romances, but the ace supporting player this year is John Spencer as the relentlessly loyal Chief of Staff Leo McGarry. Whether delivering the hard truth, accepting the proverbial bullet for the President, or being our guide to how Bartlet ran in the first place (in another wonderful flashback episode, “Bartlet for America”), all roads lead to McGarry. Acting Emmys went to Channing, Spencer, and Janney, but the strength of this show is that the entire cast has glorious moments (Toby’s taking on the President’s mode of operation, Sam’s belief in government, or the President’s peculiarities of Thanksgiving are just a few). Recurring guest stars–the likes of Ron Silver, Tim Matherson, Mary Louise Parker, and Mark Harmon–deliver some of their career-best work. Crack writing, a breathless pace, plus you learn a bit about government. What else do you want from a TV drama? –Doug Thomas

The winning streak for this veritable show continues through its fourth year. As with many long-running series, The West Wing faces the inevitable–a cast member chooses to leave. But this show handles Rob Lowe’s exit with such well-executed grace, a could-be-harmful experience (or at least sudden) is turned into an asset. The season begins with three staff members marooned in the heartland (played mostly for laughs) and ends with a dramatic cliffhanger even more powerful than the initial season’s shooting. In between are 20 excellent episodes packed with the series’ trademark wit and pace, and an uncannily ability to create excellent moments for the entire cast. The election nears and West Wingers brace for the final onslaught including a make-or-break debate. There’s a horrible genocide in Africa changing the course of the Bartlett administration and a covert assassination with effects lingering throughout the season. There’s also the now-annual flashback episode, this time to the first days at the White House (with another comforting appearance by Kathryn Joosten as Mrs. Landingham). The series also has its first episode set mostly outside the West Wing when C.J. (Alison Janney) goes back to Ohio for a high school reunion and visits her father (Donald Moffat) who is starting to feel the effects of Alzheimer’s.

Lowe’s Sam Seaborn picks a new fate at the spur of the moment and is eventually replaced by the very person whose verve he was swept up by–a harried, vastly intelligent campaign manager, Will Bailey (Josh Malina, best known for his work in creator Aaron Sorkin’s previous show, Sports Night). He’s an excellent fit for the West Wing, both fictionally and for the series. Part of the show’s success belongs to the continuity, helped immensely by high-caliber guest stars continuing long runs on the show, including Mary-Louise Parker, John Amos, Marlee Matlin, Tim Matheson, Timothy Busfield, Lily Tomlin, Anna Deavere Smith, and Ron Silver (hey, that’s a pretty good cast for their own show). One-time guest stars are also used to the fullest. Notice how a single-episoe appearance by Christian Slater (as a naval attaché who strikes Donna’s fancy) turns into a three-episode arc. Matthew Perry delivers an Emmy-nominated performance in a key role in the season’s final arc. This fourth season was capped by the departure of creator-writer Sorkin and producer-director Thomas Schlamme, plus another Emmy win for Best Drama, its fourth straight. Many were surprised or even angered that the series kept up the winning streak. Perhaps the series was not as relevant to the times as four years earlier, but the proof is in the pudding–the series was still in rarefied air by the end of this season.

Luckily, Sorkin and Schlamme were invited to air the commentaries for the DVDs, here on three episodes. It allows them to talk about their departure, a subject barely mentioned in the two making-of featurettes. One deals with speechwriters and other with Stockard Channing’s role on the show. Note: the documentaries and deleted scenes are hard to find. Look for the pointer (>) at the bottom right of the special features menu of the sixth disc. –Doug Thomas
Description
Follow the re-election of President Bartlet to his second term and witness the gripping personal crisis that forces him to chose between the best interests of the country and those of his family in this 22-episode, 6-disc collector’s set! Compelling and clever storylines reveal the inner workings of the White House in this innovative, multiple Emmy-Award-winning drama series from producers John Wells (“ER,” “China Beach”), Aaron Sorkin (“Sports Night”) and Thomas Schlamme (“Sports Night”).Presented with must-see bonus materials, The West Wing’s fourth season received 15 Emmy nominations and 2 wins including, Best Drama Series and Outstanding Directing for a Drama Series. Starring Richard Schiff, Martin Sheen, Joshua Malina, John Spencer, Dule Hill , Allison Janney, Bradley Whitford, Rob Lowe, Stockard Channing.

The second season of The West Wing takes up literally where the first season left off and, after a few moments of patriotic sentimentalism, maintains the series’ astonishingly high standards in depicting the everyday life of the White House staff of a Democratic administration. The two-part opener covers the immediate aftermath of the assassination attempt on President Bartlet (Martin Sheen), switching between the anxious wait on the injured and flashbacks to Bartlet’s campaign for the Presidency. Other peaks in a series exceedingly short on lows include “Noel,” the episode in which Alan Arkin’s psychiatrist forces Josh Lynam to confront his post-traumatic stress disorder and the episodes in which President Bartlet, following a tragic car accident, rails angrily against God in Latin.

Other new aspects include the introduction of Ainsley Hayes, a young Republican counsel hired after she beats communications deputy Sam Seaborn (Rob Lowe) in a TV debate (“Sam’s getting his ass kicked by a girl!” crow his colleagues), as well as the revelation that the President has been suffering from multiple sclerosis. Tensions grow between him and the First Lady (Stockard Channing) as she realizes, in the episode “Third State of the Union,” that he intends to run for a second term in office. It becomes clear to Bartlet that he must go public with his MS, and his staff is forced to come to terms with this, as well as deal with the usual plethora of domestic and international incidents, which apparently preclude any of them from having any sort of private lives. These include crises in Haiti and Columbia, an obstinate filibuster, and a Surgeon General’s excessively frank remarks about the drug situation. Thankfully, the splendid Lord John Marbury (Roger Rees) is on hand to make chief of staff Leo McGarry’s life more of a misery in “The Drop-In.”

These episodes, though occasionally marred by a sentimental soundtrack and an earnest and wishfully high regard for the Presidential office, are master classes in drama and dialogue, ranging from the wittily staccato to the magnificently grave, capturing authentically the hectic pace of political intrigue and the often vain efforts of decent, brilliant people to do the right thing. The West Wing is one of the all-time great TV dramas. –David Stubbs
Description
It’s never politics as usual inside this Oval Office. As Season Two’s 22 episodes unfold across this 4-disc set, the President and his staff have been targeted for disruption by rival politicians, soon after being targeted by would-be assassins. Yet the determined colleagues continue to serve the U.S. and its President as the administration heads through midterm elections and into a crisis that leads to allegations of criminal conduct. Presented with must-see bonus materials, The West Wing’s second season won the Best Drama Series Emmy and Golden Globe Awards.

Two administrative changes rocked The West Wing’s fifth season. Offscreen, the ship of state steered a tad off-course with the departure of series creator Aaron Sorkin and director Thomas Schalmme. Onscreen, President Josiah Bartlet (Martin Sheen) relinquished the power of his office to Speaker of the House Glenallen Walken (John Goodman) in the wake of his daughter’s kidnapping. In the season opener, “7a WF 83429,” Josh Lyman (Bradley Whitford) wonders if this wasn’t a mistake. What if the citizenry prefer Walken to Bartlet, he ponders. What if Walken comes off more presidential? Is he kidding? Sheen’s Bartlet is the president of Hollywood’s dreams, and the stuff of Rush Limbaugh’s nightmares. (In a character profile included as one of the bonus features on this six-disc set, Bartlet is described as an amalgam of John F. Kennedy, Jimmy Carter, and Bill Clinton!). Not to worry, though, Bartlet is back in the Oval Office by the end of the season’s second episode, “The Dogs of War.” The next order of business: choosing a vice president to replace the disgraced John Hoynes. Enter Gary Cole as “Bongo Bob” Russell, who, as the season unfolds, will confound misperceptions of him. Hoynes himself (Tim Matheson) returns in “Full Disclosure,” in which the former vice president dishes dirt on Bartlet and chief of staff Leo McGrarry (the late John Spencer) in advance of a tell-all book. Formidable and usually unflappable press secretary C. J. has an intensely personal reason to spearhead damage control and thwart Hoynes’ publishing plans.

Allison Janney, as C. J. earned The West Wing’s sole Emmy this season. One of her showcase hours is “Access,” a format-breaking episode presented as a Frontline-type “day-in-the-life” documentary. Other memorable episodes that helped to right The West Wing’s course include “The Supremes,” featuring Glenn Close as a Supreme Court nominee; the battle-of-wills episode, “Shutdown”; “Gaza,” in which Donna (Janel Moloney) is severely wounded during a fact-finding mission to the Middle East; and “Memorial Day,” a flashback episode that echoes “Bartlet for America” from season 3, and which ends the season on a strong note, and almost make viewers forget the Sesame Street Muppet cameos in the episode, “Eppu Si Muove.” Almost. –Donald Liebenson

Get out your hankies for the moving final season of The West Wing. It’s not just because it’s the last season, and the last time we know we’ll hear that thrilling theme music. It’s not just because it’s the end of the line for the administration of President Josiah “Jed” Bartlet (Martin Sheen), an inspiring, beloved fictional leader of the free world in a time of great cynicism about real-life politicians. It’s also because of the sudden, untimely death of costar John Spencer, who played chief of staff Leo McGarry, who, like his character, was a recovering alcoholic and died of a heart attack in December 2005. Spencer’s death was worked into the season’s story line, and it’s both exhilarating to see some of Spencer’s finest work in the early episodes here, and heartbreaking to see the impact of his death on the cast. At one point, Martin Sheen delivers a moving on-air tribute: “Johnny, it seems we hardly knew you.” Other highlights of the season include the fleshing out of presidential candidates Alan Alda and Jimmy Smits, both respectable, admirable and worthy opponents. And in abundance are the things viewers had come to love about the show: the witty dialogue and spot-on delivery, especially by actors Bradley Whitford, Richard Schiff, and the crack Allison Janney and the long tracking and circular shots of characters in their element (subsequently found on creator Aaron Sorkin’s follow-up series, Studio 60 on the Sunset Strip). If the story lines aren’t as topnotch as some in earlier years, it hardly matters, as this is the season that wraps up the entire story arc. The gimmicks, like the live debate between Smits and Alda’s characters, don’t hold a candle to the true soul-searching and idealism found in every single episode. The set includes all 22 episodes, a glossy guide to each episode, and “Live from the Director’s Chair,” a mini-doc about filming the live debate episode. Hail to the chief! –A.T. Hurley